French Curve
On 01-Apr-05 Marc Schwartz wrote:
On Fri, 2005-04-01 at 20:07 +0100, Ted.Harding at nessie.mcc.ac.uk wrote: <snip>
[...] Splines, in the drawing-office sense, were long narrow (about 1/4 inch wide) strips of thin springy metal with, along their length, little flanges at right-angles to the plane of the strip. Each little flange had a hole in it. The principle was that you would pinthe flanges to the drawing-board at chosen points by pushing drawing-pins through the holes. The metal strip then stood up at a right-angle to the paper. The flanges were attached in such a way that you could slide them along the metal strip. (Or you could use a strip without flanges, and special pins which raised little pillars up from the paper, against which the spline would press.) The end result was that the metal strip then defined a curve on the paper, and you could run a pencil along it and draw a curve on the paper (taking care not to press too hard against the metal, to avoid deforming the curve). By virtue of the laws of elasticity, the curve delineated by the metal strip had a continuous second derivative, i.e. what modern kids call a second-derivative-continuous piecewise cubic spline. We have not moved on. Happy whatever it is to all, Ted.
Ted, That sounds like the flexible curves that I found earlier, while Googling for an example of a French Curve and found the Mathworld link: http://www.artsupply.com/alvin/curves.htm and http://www.reuels.com/reuels/product21021.html Marc
Not quite, I think, Marc. The principle of the spline as I described it meant that the shape of the curve between the fixed points was the static-equilibrium shape determined by the elasticity of the metal (though some kinds were also made of thin strips of laminated wood, but worked on the same principle). They were therefore typically used for interpolating "mathematically" between given points. The curves shown on those web-site operate differently: they are simply flexible, and can be bent by hand to any shape, rather like modelling clay, which they then hold by virtue of how they are constructed (see especially the description on the 'artsupply' website: the lead core gives the mouldability and was not springy, and the outer plastic covering makes them smoother to use). (I've used these too, once upon a time). Best wishes, Ted. -------------------------------------------------------------------- E-Mail: (Ted Harding) <Ted.Harding at nessie.mcc.ac.uk> Fax-to-email: +44 (0)870 094 0861 Date: 01-Apr-05 Time: 22:53:17 ------------------------------ XFMail ------------------------------